I first met Céline Garnier over a year ago while researching a project involving violin makers (this one). Céline was in the process of moving her practice from her home workshop to a new space in Hong Kong's Sheung Wan district at the time, ruling out the immediate possibility of a workshop portrait, which is what I had in mind. Six months later, she had settled into her new workshop. I had time to work on personal projects then, so stopped by to make a portrait and a few other still images.
Another six months then went by before I came to the realization that Céline and her work were just the sort of subjects I was looking to find for a short documentary film.